Profile
Ouma (Cell artist)
HP:http://oumavet.com/
Email:oumavet@gmail.com
主な個展歴
2019
“Hospital ”, Hongti Art Center, 釜山, 韓国
“Research for the border between Living or Non-living thing ”, Artist residency TEMI, テジョン, 韓国
“INFINITE REPETITION / 无限循环”, IINNOO gallery, 上海, 中国
2018
集合生命, ニコラス G ハイエックセンター | THE SWATCH GROUP, 東京, 日本 Under the road / Life Continuous, MOHA ART STUDIO, ウルサン, 韓国
2017
The World IV、アレクサンダーキャッスル、セルラッキアス美術館、マンッタ、フィンランド
2016
劣る者の楽園、ウナックトーキョー, 東京, 日本
彼女からの手紙には「Yes」とだけ書かれていた。, アートリーグギャラリー, サンクトペテルブルグ, ロシア "Cellular",WTA - Werner Thöni Artspace, バルセロナ, スペイン
2015 世界を変える意志、ギャラリー懐美館(なつみかん)代官山東京, 日本 五度目の大絶滅の後、ウナックトーキョー, 東京, 日本
2014
"OM", Ouchi gallery, ニューヨーク, アメリカ 「み」展、ギャラリーcoen, 神奈川県, 日本
2013
自己受容と自己治癒の美術、ウナックトーキョー, 東京, 日本
主なグループ展歴
2020
命の力 -Power of Life-, Shun Art Gallery, 東京, 日本
2019 - 2020
Rainbow Wire, F1963, 釜山, 韓国
Clayarch Museum, 釜山, 韓国
2019
アート解放区, TENOHA 代官山, 日本
2018
Neo - Localism 2018 Gyeongnam·Busan·Ulsan Art creative center integrate exhibition, Changwon Exhibition Convention Center, 慶尚南, 韓国
Growth, Art Labor gallery, 上海, 中国
蓝顶举办“若葉集-日本青年艺术家群展”, 成都蓝顶美术馆, 成都, 中国
Art-Lab / 美术实验室, Shun Gallery, 上海, 中国
2017
The group show for Artist in Residency 2015-2016 by ALTE SCHULE Hohenstein Artists Residency, Kunstmuseum (Art museum) Hersbruck am Spitaltor, ドイツ
2016
新潟オフィスアートストリート 2016, 新潟, 日本
Icke and friends, Werner Thöni Artspace WTA, バルセロナ, スペイン Curves & Lines, Linus Gallery, ロサンゼルス(オンライン展覧会)
2014
世界を巡る写真展 Homing Pigeon「伝書鳩:其の三・横浜編」, Nitehi works 509kadoue, 横浜, 日本 The Senses, Linus Gallery, ロサンゼルス(オンライン展覧会)
Pop up art show, ロサンゼルス, アメリカ
2013 - 2014
_ _ ORNAM_NTS 3: Art Fortunes Group show of artists' ornaments, Balconi Coffee Company + Cafemode present
curated by Kio Griffith, ロサンゼルス, アメリカ
2013
Onward - Navigating the Japanese Future 2013 展 by Artrates, Hive Gallery, ロサンゼルス, アメリカ ARTLABO X 2013 Final by The Artcomplex Center of Tokyo×C/LABORATORY, 東京, 日本 ARTLABO X 2013 by The Artcomplex Center of Tokyo×C/LABORATORY, 東京, 日本 大地と草原の歩き方写真展、LAND&SEA ガレージギャラリー, 東京, 日本
2011
ギャラリーを仕事場にする4週間、アートコンプレックスセンタートーキョー, 東京, 日本
選抜アーティスト・イン・レジデンス
2020
Kaaysa Artist in residency, サンパウロ, ブラジル
2019
Hongti Art Center Residency 2019, 釜山, 韓国(September 1 – November 30) Artist Residency TEMI, 大田, 韓国(May 8 - August 17)
2018
MOHA Art Studio, ウルサン, 韓国 (August 1 - October 26)
ACCR - ODYSSEE ARTIST-IN-RESIDENCY PROGRAM 2018, モントレイユ, フランス (June 14 - July 13) Danish Art Workshopsl, コペンハーゲン, デンマーク (May 23 - June 13)
2017
Swatch Art Peace Hotel, 上海, 中国 (November 20, 2017 - May 20, 2018)
SERLACHIUS MUSEUMS, マンッタ, フィンランド(September 1 - October 31)
Aboa Vetus & Ars Nova, Artist in Residence -program, トゥルク, フィンランド (March 15 - May 15)
2016
ALTE SCHULE, ホーエンシュタイン, ドイツ (May 10 - 31)
NCCA Art Residence, サンクトペテルブルグ, ロシア(April 4 - 26) Werner Thöni Artspace, バルセロナ, スペイン (January 5 - March 31)
受賞歴
2016
新潟オフィスアートストリート 2016, 入選, 日本
古湯温泉 ONCRI 第 5 回「床の間アートコンペ 」 入選, 日本 グランシップアートコンペ 2016, 奨励賞, 日本
2014
PM AWARDS コンテスト 2014, ウルグアイ 風景、エコロジー、旅行部門 ベストフォトグラファー・オブ・ ザ・イヤー受賞(ウルグアイ)
2013
グランシップアートコンペ 2014, 奨励賞, 日本
Profile
Cell Artist Ouma
Born in Tokyo, I am a trained veterinarian, and also studied pathology. I made my first foray into art by drawing pets that had passed away, and sending the paintings along with letters to the families. The families really enjoyed the paintings, which inspired me to find a way to heal without medicine. I started doing art in 2011, and in 2013, I had the first solo show. The motif of my work is cells. My aim is to create an opportunity for viewers to develop their healing abilities by using their senses to experience my art.
Bachelor of Veterinary Science 2003 Azabu University,Tokyo Apr 1997 - Mar 2003
As an ex-veterinary practitioner, I am seeking “an art as alternative treatment” with “cells” the main character in my creation, “Treatment” to me is not a thinking but keeping myself in the center of sensations and emotions and eliminating sufferings. The most painful experience in life is said for us to be separated by death from beloved ones. I think, by terminating death from the world, we could overcome this hardest suffering.
Overcoming death is achieved through changing “experience” by engaging with art works; overcoming suffering is attained by “returning all existences to the artist”. The both processes have in common “the abandoning of creation”. So many an artist have tried to return their works to the mass public, However, all such attempts have ended as mere advocacy of their manners of creation or as one-sided supplies of creation to the people. By defining all our activities as art, I return all the beings to the artist.
All the activities mean every act of ours including walking, breathing, even blinking; All the existences means every entity on earth including not only plants and animals but a particle of sand at the foot of a street plant.
The works of what is supposed to be created by me, being drastically transformed in the process, will eventually realized as something beyond my creation. We can encounter with our transitions from the past; but, the modern sciences are incapable of things coming from the future. Only art would enable us to meet the future. Through the works I will deliver to the world the ideas from two-century future as a traveller from two-century ago.
